Ixchel or Ix Chel is the 16th-century name of the aged jaguar goddess of midwifery and medicine in ancient Maya culture.
She corresponds, more or less, to Toci Yoalticitl “Our Grandmother the Nocturnal Physician“, an Aztec earth goddess inhabiting the sweatbath, and is related to another Aztec goddess invoked at birth, viz. Cihuacoatl.
In Taube’s revised Schellhas-Zimmermann classification of codical deities, Ixchel corresponds to the Goddess O.
Referring to the early 16th-century, Landa calls Ixchel “the goddess of making children”. He also mentions her as the goddess of medicine, as shown by the following.
In the month of Zip, the feast Ihcil Ixchel was celebrated by the physicians and shamans (hechiceros), and divination stones as well as medicine bundles containing little idols of “the goddess of medicine whom they called Ixchel” were brought forward.
In the Ritual of the Bacabs, Ixchel is once called ‘grandmother‘. In their combination, the goddess’s two principal qualities (birthing and healing) suggest an analogy with the aged Aztec goddess of midwifery, Tocî Yoalticitl.
Ixchel was already known to the Classical Maya. As Taube has demonstrated, she corresponds to goddess O of the Dresden Codex, an aged woman with jaguar ears.
A crucial piece of evidence in his argument is the so-called “Birth Vase“, a Classic Maya container showing childbirth presided over by various old women, headed by an old jaguar goddess, the codical goddess O; all have weaving implements in their headdresses.
On another Classic Maya vase, goddess O is shown acting as a physician, further confirming her identity as Ixchel.
The combination of Ixchel with several aged midwives on the Birth Vase recalls the Tzʼutujil assembly of midwife goddesses called the “female lords“, the most powerful of whom is described as being particularly fearsome.
Ixchel and the moon
In the past, Ix Chel was sometimes assumed to be identical to the Classic Maya moon goddess because of the Moon’s association with fertility and procreation.
Iconographically, however, such an equation is questionable, since what is considered to be the Classic Maya moon goddess, identifiable through her crescent, is always represented as a fertile young woman.
On the other hand, the waning moon is often called “Our Grandmother“, and not inconceivably, Ixchel might have represented this particular lunar phase associated with the diminishing fertility and eventual dryness of old age.
Her codical attribute of an inverted jar could then refer to the jar of the waning moon being emptied. In any case, the moon cycle, taken alone, is of obvious importance to the work of the midwife.
The equation of the triad maid, mother, and grandmother with the three basic phases of the moon seems to be quite common among cultures around the world.
Ixchel as earth and a war goddess
An entwined serpent serves as Ixchel’s headdress, crossed bones may adorn her skirt, and instead of human hands and feet, she sometimes has claws.
Very similar features are found with Aztec earth goddesses, of whom Tlaltecuhtli, Tocî, and Cihuacoatl were invoked by the midwives.
More in particular, the jaguar goddess Ixchel could be conceived as a female warrior, with a gaping mouth suggestive of cannibalism, thus showing her affinity with Cihuacoatl Yaocihuatl ‘War Woman‘.
This manifestation of Cihuacoatl was always hungry for new victims, just as her midwife manifestation helped to produce new babies viewed as captives.
Ixchel as a rain goddess
In the Dresden Codex, goddess O occurs in almanacs dedicated to the rain deities or Chaacs and is typically inverting a water jar.
On page 74 originally preceding the New Year pages, her emptying of the water jar replicates the vomiting of water by a celestial dragon.
Although this scene is usually understood as the Flood bringing about the end of the world and the year’s end, it might also represent the onset of the rainy season.
The image of the jar filled with rainwater may represent a pregnant belly holding the amniotic liquid; turning the jar would then be equivalent to giving birth.
Ixchel figures in a Verapaz myth related by Las Casas, according to which she, together with her spouse, Itzamna, had thirteen sons, two of whom created heaven and earth and all that belongs to it.
No other myth figuring Ixchel has been preserved. However, her mythology may once have focused on the sweatbath, the place where Maya mothers were wont to go before and after birthing.
As stated above, the Aztec counterpart to Ixchel as a patron of midwifery, Tocî, was also the goddess of the sweatbath. In myths from Oaxaca, the aged adoptive mother of the Sun and Moon siblings is finally imprisoned in a sweatbath to become its patron deity.
Several Maya myths have aged goddesses end up in the same place, in particular, the Cakchiquel and Tzʼutujil grandmother of Sun and Moon, called Bʼatzbʼal (“Weaving Implement“) in Tzʼutujil.
On the other hand, in Qʼeqchiʼ Sun and Moon myth, an aged Maya goddess (Xkitza) who would otherwise appear to correspond closely to the Oaxacan Old Adoptive Mother, does not appear to be connected to the sweatbath.
*This article was originally published at en.wikipedia.org.